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In 1789, French sculptor Jean Antoine Houdon executed a bust of Jefferson that shows a handsome man with a calm, self-confident air. Yet the vigilant eyes hint at someone who moved slowly, cautiously, taking everything in before acting. The tightly sealed lips convey something enigmatic beneath the patrician ease. Like Burr, Thomas Jefferson found strength in secrecy, in silence. Shy and aloof, he seldom made eye contact with listeners yet could be a warmly engaging presence among small groups of like-minded intimates. This laconic man knew how to sprinkle his conversation with brilliant apercus that lingered in people’s minds. With his quiet charm and courtly demeanor, he had a knack for winning people over at dinner parties distinguished by good food and eight varieties of wine.
Tall, lean, and freckled, with reddish hair and hazel eyes, Jefferson had one trait that the marble bust failed to capture: his slack-jointed movements. when William Maclay met the new secretary, his slouching figure seemed to lack ministerial dignity. Maclay groused, “He sits in a lounging manner on one hip commonly, and with one of his shoulders elevated much above the other.... [H]is whole figure has a loose, shackling air.” His dress was casual, almost sloppy. The folksy air charmed people and allowed Jefferson to root out their secrets. The plain dress, mild manners, and unassuming air were the perfect costume for a crafty man intent upon presenting himself as the spokesman for the common people.
-- Ron Chernow, “Alexander Hamilton”
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