The Savage God
Jul. 4th, 2013 07:21 am<<<<<<<<<<<<<<<<<<<<
All modernists assume from the start the destruction of traditional values, but unlike Dada, the others do not say so out loud. And this is neither a matter of cowardice nor of good taste, but of practical survival. Twentieth-century art may start with nothing, but it flourishes by virtue of its belief in itself, in the possibility of control over what seems essentially uncontrollable, in the coherence of the inchoate, and it its ability to create its own values.
The arts survive because artists continue to believe in the possibility of art in the teeth of everything that is anti-art. Dada, on the other hand, began by being anti-everything, including art, and ended, by the logic of caricature, by being anti-itself. Like so many of the Dadaists, Dada died by its own hand.
-- A. Alvarez, “The Savage God”
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All modernists assume from the start the destruction of traditional values, but unlike Dada, the others do not say so out loud. And this is neither a matter of cowardice nor of good taste, but of practical survival. Twentieth-century art may start with nothing, but it flourishes by virtue of its belief in itself, in the possibility of control over what seems essentially uncontrollable, in the coherence of the inchoate, and it its ability to create its own values.
The arts survive because artists continue to believe in the possibility of art in the teeth of everything that is anti-art. Dada, on the other hand, began by being anti-everything, including art, and ended, by the logic of caricature, by being anti-itself. Like so many of the Dadaists, Dada died by its own hand.
-- A. Alvarez, “The Savage God”
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