Jun. 3rd, 2014
This excerpt is from an introduction that Hitch wrote for Isabel Allende’s The House of the Spirits.
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But the story is about Chile. For millions of people across the world, this very name took on the same resonance as had “Spain” forty years before. On one side, the landlords, the clerical hierarchy, the army, the fascists. On the other, “the people” in their variously gnarled, exploited, neglected and semi-upright postures. Arbitrating and manipulating things were far-off superpowers and vested interests. My little summary does, admittedly, possess all the subtlety of a Brecht play put on in Berkeley. But sometimes things are quite simple, and even Brecht might have turned down the idea of multinational corporations instructing Richard Nixon and Henry Kissinger to use murderous force to protect their dividends.
-- Christopher Hitchens
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But the story is about Chile. For millions of people across the world, this very name took on the same resonance as had “Spain” forty years before. On one side, the landlords, the clerical hierarchy, the army, the fascists. On the other, “the people” in their variously gnarled, exploited, neglected and semi-upright postures. Arbitrating and manipulating things were far-off superpowers and vested interests. My little summary does, admittedly, possess all the subtlety of a Brecht play put on in Berkeley. But sometimes things are quite simple, and even Brecht might have turned down the idea of multinational corporations instructing Richard Nixon and Henry Kissinger to use murderous force to protect their dividends.
-- Christopher Hitchens
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