Critical Questions
Nov. 9th, 2014 08:06 amWhen you tell the same story through the eyes of different characters, you have not only a different novel but a different reality. I think I could sit down today and write "The Deer Park" through Charles Francis Eitel's eyes, and if I changed the names and the place, no one might know the new book had anything to do with The Deer Park.
-- Norman Mailer at The Paris Review
This could be the basis for a writing exercise. We could call it the Rashomon exercise, I guess. You change the focus onto another character and rewrite a scene from there. The idea can also be used for critical reading, consciously asking yourself how the other characters are experiencing a scene. This can be second to the basic question of 'what if you changed this or that in the story?' Why did the writer do this? What if he had done this instead? Did the writer make the best of his characters and scenes?
-- Norman Mailer at The Paris Review
This could be the basis for a writing exercise. We could call it the Rashomon exercise, I guess. You change the focus onto another character and rewrite a scene from there. The idea can also be used for critical reading, consciously asking yourself how the other characters are experiencing a scene. This can be second to the basic question of 'what if you changed this or that in the story?' Why did the writer do this? What if he had done this instead? Did the writer make the best of his characters and scenes?