<<<<<<<<<<<<<<
Tune to the frequency of the wood and you’ll hear
the deer, breathing; a muscle, tensing; the sigh
of a fieldmouse under an owl. Now
listen to yourself—that friction—the push-and-drag,
the double pulse, the drum. You can hear it, clearly.
You can hear the sound of your body, breaking down.
If you’re very quiet, you might pick up loss: or rather
the thin noise that losing makes—perdition.
If you’re absolutely silent
and still, you can hear nothing
but the sound of nothing: this voice
and its wasting, the soul’s tinsel. Listen . . . Listen . . .
-- “Tinsel” by Robin Robertson
>>>>>>>>>>>>>>
I had a little trouble with the word 'tinsel' and thought it was fouling up the poem, but Dictionary.com relieved my doubts with this definition: "anything showy or attractive with little or no real worth; showy pretense".
Tune to the frequency of the wood and you’ll hear
the deer, breathing; a muscle, tensing; the sigh
of a fieldmouse under an owl. Now
listen to yourself—that friction—the push-and-drag,
the double pulse, the drum. You can hear it, clearly.
You can hear the sound of your body, breaking down.
If you’re very quiet, you might pick up loss: or rather
the thin noise that losing makes—perdition.
If you’re absolutely silent
and still, you can hear nothing
but the sound of nothing: this voice
and its wasting, the soul’s tinsel. Listen . . . Listen . . .
-- “Tinsel” by Robin Robertson
>>>>>>>>>>>>>>
I had a little trouble with the word 'tinsel' and thought it was fouling up the poem, but Dictionary.com relieved my doubts with this definition: "anything showy or attractive with little or no real worth; showy pretense".