Feb. 23rd, 2013

monk111: (Flight)
Here we have an interesting point of contrast between Hamilton and Aaron Burr.

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Throughout his career, Hamilton was outspoken to a fault, while Burr was a man of ingrained secrecy. He gloried in his sphinxlike reputation and once described himself thus in the third person: “He is a grave, silent, strange sort of animal, inasmuch that we know not what to make of him.” As a politician, Burr usually spoke to one person at a time and then in confidence. Starting in college, he wrote coded letters to his sister and classmates and never entirely discarded the self-protective habit. Senator William Plumer remarked, “Burr’s habits have been never to trust himself on paper, if he could avoid it, and when he wrote, it was with great caution.” As Burr once warned his law clerk, “Things written remain.”

This caution reflected Burr’s principal quality as a politician: he was a chameleon who evaded clear-cut positions on most issues and was a genius at studied ambiguity. In his wickedly mordant world, everything was reduced to clever small talk, and he enjoyed saying funny, shocking things. “We die reasonably fast,” he wrote during a yellow-fever outbreak in New York. “But then Mrs. Smith had twins this morning, so the account is even.” By contrast, Hamilton’s writings are so earnest that one yearns for some frivolous chatter to lighten the mood.

-- Ron Chernow, “Alexander Hamilton”

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monk111: (Little Bear)
What a beautiful sleep! A most badly needed sleep. It wasn't one of those seven-hour-straight sleeps, but I only got up twice in a seven-hour stretch and would fall instantly back asleep. About eight hours of sound sleep. It feels so good. Like a new man.
monk111: (Strip)
Ah, remember Courney Stodden's music video, "Reality"? So close to sweet porn. Well, a real porn company, Twisty's.com, made an offer to our blonde bombshell to make a pornified version of her music video. Alas, she apparently sees that she may be able to make more money playing it straight and just teasing us; she turned down the offer. I suppose that makes commercial sense. The porn brand probably would marginalize her. But, god, I want her naked and nasty!

Pics )
monk111: (Effulgent Days)
Pi brightly says, "Your socks and the kitty litter! You are jumping on the chores today."

Monk smiles, "That what good sleeps and good naps will do for you. I only wish that I could count on getting this on the regular."

Daimon says, "Aww, you would begrudge the old man his little happiness."

Monk says, "They can be happy over there at her place. Why can't we all be happy?"
monk111: (Flight)
We are in the Queen’s chambers, even unto the intimacy of her bedroom. Polonius is with her. Nothing improper, of course. He is setting up another eavesdropping scenario, using Gertrude rather than Ophelia for the bait this time. He says:

He will come straight. Look you lay home to him:
Tell him his pranks have been too broad to bear with,
And that your grace hath screen'd and stood between
Much heat and him. I'll silence me even here.


That ‘silence’ line can seem heavy-handed on Shakespeare’s part, since that is where Polonius will indeed be silenced, and silenced for good. One of my texts even changes the word so that the line reads, “I’ll sconce me even here.” I can understand the revision, but since my major texts use ‘silence’, I shall keep it. Besides, I like a little droll humor.

Hamlet is in some trouble after his “Mousetrap” caper, but he is not coming shamefaced. He has learned his business and things are coming to a head, and this scene dramatically picks up the beat.

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“The something dangerous in Hamlet that has thundered and reverberated now explodes; he shows himself in fact capable of the violence warned by the soliloquies; he may be on the edge of even more. Half mad. Mad. This man shows he can kill; he can be bitter and cruel; though, he can also experience guilt, remorse, tenderness, awe and dissonant polyphonies of these feelings. More than ever now he has been seen by critics as touched with evil, devil-tainted, as well as nobly anguished, nearly or entirely mad.”

-- Marvin Rosenberg, “The Masks of Hamlet”

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