
This is our second excerpt from the interrogation and torture scene with Frick and Frack. Eversz lets his heroine truly suffer, and it actually does make her stronger. Though, he perhaps necessarily restrains the brutality from reaching sickening levels. It is a noir story, but it is still basically a happy one, and Nina is a winner in life’s rotten, dirty game. It is popular, escapist fiction. There are no burned nipples or genitalia.
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Frack pried my mouth open, stuffed the gag down my throat, tied it in place with the strip of cloth. It was like he was doing it to somebody else. I watched it all from a perch in the corner of the room. If he thought that was me hurting, that was me crying, he was wrong. That wasn’t me. He didn’t have any idea I was watching him from up there, near the ceiling. He thought I was still in my body. He knelt in front of me. A pack of wooden matches came out of his pocket, then a cigarette. The bright ripping sound of sulfur flared out. My eyes tracked the fire as it ignited the tobacco and left the tip. He touched the match to the wisps of hair hanging from my forehead. They went up in flame. I squirmed and bucked. He grabbed my hair to stop me moving, hovered the coal of his cigarette a quarter inch away from the inside of my wrist. The skin smoldered and burned. He stabbed out the coal in my flesh, tossed the butt to the floor. He lit a second cigarette and smoked for a while, watched me, crushed the second cigarette out a little higher up my arm. He smoked half a pack that way.
I don’t want to talk about it anymore.
The scars aren’t so bad. It’s not like I’m horribly disfigured or anything. Like most scars, with a little cosmetics, nobody notices. If I wear a long-sleeved shirt with a high collar, nobody even has to know the scars are there. See, nothing wrong with me. Good as new. The scars will shrink and fade, blend with the slow ruin of my skin. Maybe in twenty years or so, the traces will vanish from my flesh, until all that remains is the lingering memory of pain.
-- “Shooting Elvis” by Robert M. Eversz
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